This study of urban identity and community looks at selected 20th century literary and film texts in the context of theorizations of modernism, postmodernism, postcoloniality and globalization. Brooker draws on Beck and Giddens to propose a "reflexive modernism" which rewrites and re-imagines the urban scene. The principal cities considered are London and New York, Tokyo, Hong ...(展开全部)

This title traces the dynamic relationship between film and the city. How do film and urban space work together to challenge and forge our changing ideas of modern urban life? How does film intervene with what is erased or retained from the existing urban fabric? What are the possibilities and limits of contemporary utopic visions built into urban form? How does film itself wor...(展开全部)

This second edition of this text on urban sociology takes into account contemporary theoretical debated and empirical research. Expanded and thoroughly revised throughout, it incorporates developments in the literature on urban inequality, urban culture, urban politics and globalization. It offers a comprehensive and up-to-the-minute account of its subject, ideal for study purp...(展开全部)

This second edition of this text on urban sociology takes into account contemporary theoretical debated and empirical research. Expanded and thoroughly revised throughout, it incorporates developments in the literature on urban inequality, urban culture, urban politics and globalization. It offers a comprehensive and up-to-the-minute account of its subject, ideal for study purp...(展开全部)

Film noir remains one of the most enduring legacies of 1940s and ’50s Hollywood. Populated by double-crossing, unsavory characters, this pioneering film style explored a shadow side of American life during a period of tremendous prosperity and optimism. Edward Dimendberg compellingly demonstrates how film noir is preoccupied with modernity—particularly the urban landscape. The ...(展开全部)

Film noir remains one of the most enduring legacies of 1940s and ’50s Hollywood. Populated by double-crossing, unsavory characters, this pioneering film style explored a shadow side of American life during a period of tremendous prosperity and optimism. Edward Dimendberg compellingly demonstrates how film noir is preoccupied with modernity—particularly the urban landscape. The ...(展开全部)

Modern civilization, Bauman argues, promised to make our lives understandable and open to our control. This has not happened and today we no longer believe it ever will. In this book, now available in paperback, Bauman argues that our postmodern age is the time for reconciliation with ambivalence, we must learn how to live in an incurably ambiguous world.

This book examines the dynamic relationship between cinema, the most important cultural form, and the city, the most important form of social organization, since World War Two, in an exciting new way. Bringing together such disciplines as Film studies, Sociology, Urban Studies and Geography, the book focuses on: the active role of film production, distribution and exhibition in...(展开全部)

First published in 1967, "Writing and Difference, " a collection of Jacques Derrida's essays written between 1959 and 1966, has become a landmark of contemporary French thought. In it we find Derrida at work on his systematic deconstruction of Western metaphysics. The book's first half, which includes the celebrated essay on Descartes and Foucault, shows the development of Derr...(展开全部)

First published in 1967, "Writing and Difference, " a collection of Jacques Derrida's essays written between 1959 and 1966, has become a landmark of contemporary French thought. In it we find Derrida at work on his systematic deconstruction of Western metaphysics. The book's first half, which includes the celebrated essay on Descartes and Foucault, shows the development of Derr...(展开全部)